GOW: - Had it been your Prince instead of a groom caught in this noose there's not an astrologer of the city--
PRINCE: Sacked! Sacked! We were a city yesterday.
GOW: - So be it, but I was not governor. Not an astrologer, but would ha' sworn he'd foreseen it at the last versary of Venus, when Vulcan caught her with Mars in the house of stinking Capricorn. But since 'tis Jack of the Straw that hangs, the forgetful stars had it not on their tablets.
PRINCE: - Another life! Were there any left to die? How did the poor fool come by it?
PRlNCE - Your cloak, Ferdinand. I'll sleep now.
FERDlNAND --Sleep, then . . . He too, loved his life?
GOW - He was born of woman . . . but at the end threw her from him, like your Prince, for a little sleep . . . "Have I any look of a King?" said he, clanking his chain - "to be so baited on all sides by Fortune, that I must e'en die now to live with myself one day longer." I left him railing at Fortune and woman's love.
I got food and drink from the Greeks who sell all things at a price, and the engine trotted us a couple of miles up the line to a bay of drifted sand and a plank- platform half buried in sand not a hundred yards from the edge of the surf. Moulded dunes, whiter than any snow, rolled far inland up a brown and purple valley of splintered rocks and dry scrub. A crowd of Malays hauled at a net beside two blue-and-green boats on the beach; a picnic party danced and shouted barefoot where a tiny river trickled across the flat, and a circle of dry hills, whose feet were set in sands of silver, locked us in against a seven-coloured sea. At either horn of the bay the railway line cut just above high-water mark, ran round a shoulder of piled rocks, and disappeared.
"You see there's always a breeze here," said Hooper, opening the door as the engine left us in the siding on the sand, and the strong south-easter buffeting under Elsie's Peak dusted sand into our tickey beer. Presently he sat down to a file full of spiked documents. He had returned from a long trip up-country, where he had been reporting on damaged rolling-stock, as far away as Rhodesia. The weight of the bland wind on my eyelids; the song of it under the car roof; and high up among the rocks; the drift of fine grains chasing each other musically ashore; the tramp of the surf; the voices of the picnickers; the rustle of Hooper's file, and the presence of the assured sun, joined with the beer to cast me into magical slumber. The hills of False Bay were just dissolving into those of fairyland when I heard footsteps on the sand outside, and the clink of our couplings.
"Stop that!" snapped Hooper, without raising his head from his work. "It's those dirty little Malay boys, you see: they're always playing with the trucks...."
"Don't be hard on 'em. The railway's a general refuge in Africa," I replied.
"'Tis -- up-country at any rate. That reminds me," he felt in his waistcoat-pocket, "I've got a curiosity for you from Wankies -- beyond Buluwayo . It's more of a souvenir perhaps than --"
"The old hotel's inhabited," cried a voice. "White men from the language. Marines to the front! Come on, Pritch. Here's your Belmont. Wha -- i -- i!"
The last word dragged like a rope as Mr. Pyecroft ran round to the open door, and stood looking up into my face. Behind him an enormous Sergeant of Marines trailed a stalk of dried seaweed, and dusted the sand nervously from his fingers.
"What are you doing here?" I asked. "I thought the Hierophant was down the coast?"
"Come and sit down." Hooper put away the file.
"This is Mr. Hooper of the Railway," I exclaimed, as Pyecroft turned to haul up the black-moustached sergeant.
"Why, it's Bass," cried Hooper.
"It was Pritchard," said Pyecroft. "They can't resist him."
"That's not so," said Pritchard mildly.
"Where was it?" I demanded.
Pyecroft patted the warm bottle.
"It was all a mistake," said Pritchard. "I shouldn't wonder if she mistook me for Maclean. We're about of a size."
"It's the uniform that fetches 'em, an' they fetch it," said Pyecroft. "My simple navy blue is respectable, but not fascinatin'. Now Pritch in 'is Number One rig is always 'purr Mary, on the terrace' - ex officio as you might say."
"She took me for Maclean, I tell you," Pritchard insisted. "Why - why - to listen to him you wouldn't think that only yesterday--"
Introduction
"Mrs. Bathurst" is Kipling's most controversial story. An example of his "late" style, in which he often compressed the raw material for a long novel into a short tale, it is told indirectly, through four narrators. The reader learns fragments of the puzzling story while the narrators themselves are often in the dark. Some readers feel that Kipling did not play fair with the reader -- paring too much incident away, he did not leave the clues that would allow the reader to understand the motivation of the main characters and so he lost control of the story. As a result it is emotionally uninvolving, as well as annoying and pretentious. Others believe that the puzzling aspects of the story were intentional, expressing the author's bleak vision of the enigmatic nature of reality and the destructive power of love. One critic has written that the quantity of interpretations and speculations on "Mrs. Bathurst" rival the speculation on the mystery of Dickens's Edward Drood.
Readers of Mrs. Bathurst who admire it, sometimes extravagantly:
Jorge Luis Borges, in Theroux, The Old Patagonian Express, 366-67.
C.A. Bodelson
Elliott Gilbert
Robert Gottlieb, editor of the highly recommended Everyman edition of Kipling, Collected Stories, see xx-xxi. He puts it on his short list of Kipling's best stories.
Claude Raine
Readers of Mrs. Bathurst who dislike it, sometimes markedly:
Angus Wilson, Strange Ride
Paul Theroux The Old Patagonian Express, 366-67.
C.S. Lewis, "Kipling's World," in Elliott Gilbert, ed., Kipling and the Critics (1965), 100.
James Harrison, Rudyard Kipling (1982), 86
I myself consider "Mrs. Bathurst" flawed, but nevertheless one of Kipling's great stories.
First published in Windsor Magazine and Metropolitan Magazine in March 1904. Collected in book form as the penultimate story (following "They") in Traffics and Discoveries (London: Macmillan 1904 [after August]).
Bauer, Helen Pike, Rudyard Kipling: A Study of the Short Fiction (1994)
Carrington, The Life of Rudyard Kipling (1956)
Bodelson, C.A., Aspects of Kipling's Art (1964)
Gilbert, Elliott, The Good Kipling (1970)
Tompkins, J.M.S., The Art of Rudyard Kipling (1959)
Wilson, Angus, The Strange Ride of Rudyard Kipling (1978)
Further Bibliography in Bauer 108.
My experiment in hypertextuality does not attempt any real interpretation. Usually I merely fill in vocabulary from Websters and some basic geography (mostly from the resources of the internet). However, I found the geographical background, which had been a blur to me, illuminating. If I'd had any idea how much time it would take, I never would have done it! But like Borges, I am a Kiplingaholic.
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